JamesKar Photography

To crop or not to crop?

James Karinejad — Wed, 11 Jan 2012 10:15:18 +0000

How Far Can You Crop A 5Dmrk2 Image?

Last year I shot the art work for FIN’s debut album. Fin mentioned that they were going to crop into the image but I was taken back when I saw the final image. I though he wasn’t being serious, but I was wrong. Have a look for yourself…

Original Image

Final Album Cover

Shot on the Canon 5D mrk 2 the image holds it quality even when heavily cropped. I used the 24mm 1.4 mrk 1 lens. The 24mm mrk 2 is a much stronger lens but I couldn’t get ahold of one in time for the shoot. Still pretty damn impressed with the quality.

FIN’s album is out to download on iTunes

Below are some of my favourite photos from the shoot.

The aftermath :)

Grolsch Idents with BTS

James Karinejad — Mon, 02 Jan 2012 12:32:55 +0000

After the success of ‘Strange Fruit’ Edmund Curtis and I have joined forces to create Curtis and Kar.

Two DOP’s working on the same set!? Who would have thought it possible. But it works.

Collaboration is one of the greatest creative tools.

Below is our latest video.

With the guys over at Fstoppers holding a contest for the best Behind The Scenes video. We put together a detailed making of for the Grolsch Idents.

We’ve had some amazing and genuinely encouraging feedback. Thanks to everyone who helps us make this happen.

Enjoy :)

DOP Showreel

James Karinejad — Mon, 05 Dec 2011 11:27:28 +0000

Here is a collection of my work shot on both film and HD. Enjoy :)

Cardboard Box Chevy

James Karinejad — Mon, 28 Nov 2011 09:16:20 +0000

When director @Mattsnyman says he’s gonna make a car out of cardboard, well…see for yourself.

These are photos from the Chevrolet commercial we shot the other weekend.

The ad, shot on the Red using Kino Flos, Micro Flos (for the cars interior), tonnes of Dedo lamps and one massive HMI Arrisun light, is currently in post production and will be out in the next few weeks.

More behind the scenes photos on Flickr

Stills from the Short Film “Hood”

We Are Augustines

James Karinejad — Wed, 09 Nov 2011 12:52:17 +0000

Got to meet and watch We Are Augustines at their Book of James single launch. Amazing band, friendly guys, an unforgettable night. Saw these guys play on Chase Jarvis live a few months back so it was really something to be able to photograph them myself.

For more photos please head over to my Flickr page. Enjoy.

See more photos on Flickr

Trehearne & Brar

James Karinejad — Mon, 07 Nov 2011 09:00:04 +0000

A few weeks back we were in France shooting shawls for Trehearne and Brar and for Vogue (UK). These are not your everyday shawls, these are genuine Kashmir shawls, hand woven from authentic Pashmina cashmere. They take months to make and retail from £400 – £6,500. (Yes I’m thinking the same, thats the price of the contents of my camera bag!).

I had a pair of Bowen lights with me but my plan was to utilise the brightest light of all, the Sun. Armed with an array of reflectors I was able to bounce and defuse the sunlight to suit the photo. We set up in an outdoor area that was surrounded by walls, which provided us with a shaded area where we could handle the shawls as they were sensitive to prolonged exposure to sunlight. There we were able to bounce the sunlight in to our work area.

My attempt of a lighting diagram to help give a better idea of the set up.

We shot a number of different shawls out in France, with no more than 4 shawls in each photo. For the tech geeks reading this we used, my favourite, the Canon 5D MrkII and the 50mm 1.2L. For the reflectors we used Lastolite.

Back in London we had around 170 shawls left to photograph and 8 pages in the brochure to fit them in. We stacked them on top of each other, about 23 shawls to each pile. Sounds simple enough but simple was far from how it played out. Imagine dealing with 23 very delicate shawls, each carefully ironed, steamed, neatly folded then balanced on one another. Which, if left for more than a few minutes would slowly flatten the ones at the bottom of the pile. Then as the stack got taller it would lean a bit the left and then to the right and when you’ve finally got it right it would collapse and you have to go back to the beginning. Two of the photos that went to print were taken seconds before the whole stack came falling down.

We found propping a 2L bottle of water behind the stack helped to hold it up. :)

The hands of @lemonfitters and her great folding skills.

Addison Lee

James Karinejad — Sat, 05 Nov 2011 19:00:40 +0000

I photographed this quite a while ago but no one told me it was online. So I was pleasantly surprised when I saw this when I went to book a cab.

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Short film in progress.

James Karinejad — Mon, 11 Jul 2011 08:00:22 +0000

Here we go, a teaser trailer for our short film ‘Hood’. The 8-10 minute film is still in post production so here is a glimpse at what you can expect from the full film. Enjoy…

Stills from the Short Film “Hood”

Damn, I need to do more.

James Karinejad — Sat, 09 Jul 2011 07:07:05 +0000

If you ever thought you were doing enough as a photographer someone has to come along and shake that all up for you. Well this morning it was Jeremy Cowart. INSPIRATION

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Stills from the Short Film “Hood”

James Karinejad — Thu, 14 Apr 2011 16:25:13 +0000

After a manic weekend with no sleep and a lot of coffee we have shot the bulk of what will be the short film “Hood”. Below is the films synopsis:

“In a London where the economy is dwindling and the young take on the burden of the older generations mistakes. A new form of political war between the older and younger generations has begun in the form of riots, kidnappings and murder. Crime is on the rise and with the reduction of law enforcement on the streets the young are called to action to maintain and restore peace. “

Shot entirely on location and for the most part at night. With no room in the budget for a generator we lit the film solely with battery powered Litepannels. In our kit we had two 1×1 Bi Colour Litepannels and four Mirco Litepannels. Shot on a HD DSLR, a Canon 5Dmrk2 of course, which was perfect for the low light conditions. At night we used both the Canon 50mm 1.2L and Canon 24mm 1.4L. During the day we shot with the Canon 24-105mm 4L with IS perfect for those walking handheld shots.

We still have a few short scenes to film before it is handed over to the editor but for now here are a few stills and screen grabs.

Enjoy

Please like the film on our Facebook page

Canon 50mm 1.2L

Canon 50mm 1.2L

Canon 50mm 1.2L

Canon 24-105mm 4L IS

Canon 24-105mm 4L IS

Canon 50mm 1.2L